Showing posts with label Transformers Dark of the Moon. Show all posts
Showing posts with label Transformers Dark of the Moon. Show all posts

Wednesday, 20 July 2011

183: Review: Transformers: Dark of the Moon (Second Pass)

CAUTION: Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.


Transformers Dark of the Moon poster

Transformers: Dark of the Moon (3D) - WITH Spoilers.
19 July 2011. Location: Cinema

The third Transformers film is also the third movie this year to get me back in the cinema for a second run. You can read my first, spoiler-free, review here. It pretty much sums up what I thought of the film, and another viewing didn't alter how much I loved it.

As I said in my previous post:

"There are also a couple of '…that wouldn't happen' moments, but then I remembered I was watching a film featuring 40ft high robots knocking the shit out of each other…"


With that in mind, here some some of those moments...

John F Kennedy: The recycled vintage-footage is a nice touch, only completely spoiled by the one or two 'real' shots they've put in, featuring an actor (possibly CGI enhanced?) who looks roughly nothing like the JFK that was on screen only seconds earlier. Nice going.

The war on Cybertron: I have no problem believing that a civilisation of sentient robots has developed elsewhere in the universe, that they can transform at will and have developed interplanetary travel. But when you see the battle raging on Cybertron, they're all firing projectile weapons at each other. Are you telling me, Bay, that they're in such an advanced state that they're still relying on slugthrowers? If anything, you'd think they'd be using EMP grenades or similar. But I'll take your word for it...

The crashed Ark on the moon: When the astronaut puts his hand on the moon-sand at the crash site, it crumbles away to reveal the Autobot's face. Surely in the much weaker gravity, something as light as sand/dust wouldn't react in that way? The gravity barely holds the astronauts down with their weighted suits on. Shouldn't his actions should cause a mini dust-cloud?

'Gentlemen, you are dark on the rock': NASA control says these words to the Apollo 11 crew, and I understood the implication was that the Ark had crashed on the 'dark side' of the moon, namely the side that is never seen from the Earth? But when we see a wide-shot of the Ark, the Earth is visible in the sky above it. If this was the case, then wouldn't even amateur astronomers have been able to see the ship for the last fifty years, completely negating the conspiracy theory that was built around it?

Illegal nuclear sites: Leaving aside the fact that in protecting humanity from themselves, the Autobots seem to have taken sides with the USA, is it wise for anybody to be firing missiles and tearing shit up, in what is going to be a even-more-fragile-than-normal nuclear environment?

Ken Jeong rules: That is all.

Robots in Disguise: I know that Laserbeak was about to turn into a photocopier and trash the main office, but was it entirely "low key" to be fighting with Jerry Wang in his glass-walled office? I guess the Decepticons were tired of dicking around by then, eh?

Leave no droid behind: The Autobots said that only Sentinel Prime had a faint signal when they rescued him from the Ark, but then it's explained that the Matrix of Leadership can re-animate the Transformers. Does that mean the ones left behind on the moon were saveable? Seems a bit harsh to just leave them there. Still, Prime still hasn't brought Jazz back, so I suppose not.

Hiding in plain sight: You know how the motorbike-Autobots have those holographic riders? So they don't freak people the hell out when they're riding around? Why don't the open-top cars have them, too?

Ironhide! You killed Ironhide! You absolute bastard!

Accentuated language: Again, why would the Autobots have different accents? Once I got past the varying accents/dialects of our heroes, I was genuinely puzzled to be reminded, once again, that there seem to be certain phrases that our American cousins just don't 'get'. The Autobot Roadbuster not only says "wankers" in this 12A movie, but exclaims the phrase: "Nazi Wankers!" for some (largely unexplained) reason. Not even Inglourious Basterds had that. I'll be honest, I'm impressed.

Wardrobe Malfunction: Carly. Not only is she wearing the most impractical heels for the last hour of the film, which seem to be made of sturdier material than most of the buildings in Chicago, but she also has a suit-jacket with almost God-like "stay white" powers. She survives the destruction of the city looking absolutely immaculate, when everyone else is essentially wearing rags by the end. Well done, her.

Made to measure: Speaking of Carly, when she and Sam escape the building in a Decepticon gunship (made for robots to pilot), why does she climb out of a human-sized hatch on the top, afterwards? Why was that there?

Target acquired: The Decepticons can destroy un-manned jet-powered armoured drones as soon as they enter the local airspace, so your plan is to drop 16 troops into the area in lightweight wingsuits? Relying on the easily calculable staples of gravity and airflow? Still, they got through, so what does that tell you?

Hide and seek: In the tilting skyscraper, when the Decepticon enters through the lower window and is searching for our keepy-still heroes? Can't they see heat signatures, then? If I was going to build a 40ft high war machine, I'd make sure it could function in the dark, and therefore be able to see sweaty people behind walls six feet away.

The gravity of the situation: I know not all of Cybertron is teleported to Earth at the end of the film, but given the larger-than-Earth size of the section that is, and given that it's close enough to see through the Earth's daylight atmosphere (and yet doesn't block out the sun, somehow, even though it's not sunrise or sunset), surely the gravitational mass of such an object would fuck the Earth right up? Look at what something the density of the moon does to the seas. If you pull something the size of the Cybertron segment that close to our planet, bad things will happen at both ends. But in the movie, it didn't. So I guess it wouldn't. Because Mr Bay's writers would have thought of that.

+++

But like I said, those points don't change the fact that TF3 is thoroughly entertaining. Bravo!

6/7


DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.

• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.

Wednesday, 29 June 2011

173: Review - Transformers: Dark of the Moon

CAUTION: Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.


Transformers Dark of the Moon poster

Transformers: Dark of the Moon (3D) - Spoiler-free.
28 June 2011. Location: Cinema

Pre-amble: There was a reassuring number of men in their 20's and 30's at tonight's preview showing of Transformers. Given that I didn't hear any grumbling before, throughout or after the film, I think they were there for the right reason: to enjoy watching 40ft high robots knocking the shit out of each other.

I'm sure a lot of reviews are going to slate this film for the very reasons I love it. If you're wanting anything other than a Michael Bay film, don't watch it. If you're wanting anything other than a live-action cartoon which is essentially a 2h34m advert for toys, don't watch it. If you haven't thoroughly enjoyed the previous two movies based on a cartoon from the 1980's, but you're the kind of smart-arsed pedantic arsehole that will go and see it anyway, then complain about the lack of higher-message… DON'T WATCH IT.

I trust you know where I'm coming from. By the third installment in this series, you should know exactly what you're going to get, and it delivers in spades (although this is perhaps the film's Achilles Heel).

The Plot: The dark side of our moon is home to a crashed starship; the humans' first contact with the mechanical race known as the Transformers. On board this ship is the technology to create a teleportation device, which has the potential to allow the robots to travel back to their ravaged homeworld, or bring the inhabitants of Cybertron to us. Also on board the ship is the only being who knows how to operate this equipment, and the race is on to make sure the teleporter is used for good…


The Good: Almost everything. A funny script, featuring plenty of laugh-out-loud moments without cheapening the action. Jaw-dropping visuals (even the 3D is effective, which is becoming a rarity these days) and animation we've come to expect, paired with fantastic voice-work for the robots to create actual characters. Even new kid on the block Rosie Huntingdon-Whiteley is a workable replacement for Megan Fox; although she hardly steals the show, that's more down to the creators of the film than her performance - and Ms Fox's contribution to the proceedings was debatable at best. Also on great form are John Malkovich and the ever-magnificent Ken Jeong, both bringing an intense humour. Also worth mentioning; established characters on both sides die in this movie. I know nothing's certain in this universe, but when you see the head come off and the eye-lights go out? Yeah.

Best robots? SHOCKWAVE! We've got Shockwave! [/geekout] We also get what almost amounts to character development for Megatron, and it's good, great to see the Autobots finally saying enough is enough and kicking-off.


The Bad: Michael Bay's usual culprits are here; crammed exposition, lens-flare, slo-mo explosions, lingering shots of the pretty lady etc, but given the circumstances, I'll classify those as comforting. It wouldn't be Transformers without them. There are also a couple of '…that wouldn't happen' moments, but then I remembered I was watching a film featuring 40ft high robots knocking the shit out of each other…
The only real issue I had was that the pace seems to slow to a crawl at the beginning of the Battle for Chicago. I mean, really slow. I know the audience needs a breather, but they're ready for the climactic endpiece at that point, and when that does arrive, it's still 40 minutes long. Keep the adrenaline up, cut the chaff. I don't mind a movie being two and a half hours, but it's a little uneven as it stands. Still, plenty of time for you to nip to the toilet, as you'll have finished that massive Coke by then.


The Ugly: Still no Dinobots. Still no return of Jazz as a Porsche 911. Come on, Bay, it's almost as if you haven't been reading my e-mails...


All in all: Flipping awesome. I don't care what the other critics will say, just enjoy this for what it is. A magnificent roller-coaster that you're not meant to examine too closely. This film will give you what you expect. You've only got to decide if you want to pay money for that. For me? Shit, yeah.

The Last Word: There's nothing at the end of the credits. I waited around so you don't have to ;D

6/7


DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.

• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.