Showing posts with label Dane Cook. Show all posts
Showing posts with label Dane Cook. Show all posts

Friday, 8 August 2014

Review: Planes 2 - Fire and Rescue

World of Blackout Film Review

Planes 2: Fire And Rescue (3D) Poster

Planes 2: Fire And Rescue (3D)
Cert: U / 84 mins / Dir. Bobs Gannaway
WoB Rating: 5/7



Disney's anthropomorphic aeronautical spinoffs return to cinemas a mere year after their last, slightly muted outing, but can a new director propel the returning core-cast to a new altitude? As champion racing-plane Dusty Crophopper develops the U-Certificate equivalent of a terminal illness*1 and decides on a change of career in order to help Mayday, the lovably decrepit airport fire-truck, the film is a step above the 'who's going to win the race? vibe that's par for this particular course. While it's still strictly youngling-friendly, there's a lot more riding on the outcome of Planes 2, which should help it connect more with older audiences.

The film goes some way to giving the older folks a few wry grins (the Howard The Duck and CHiPs references are awesome, and I have to admit that I loved the AC/DC, Thunderstruck sequence) including a scattering of very mild double entendres, but generally speaking if you're here for the film, you're here for the characters. The central thread about trust, duty and (to a lesser extent) sacrifice gives Fire and Rescue a whole lot more heart than its predecessor, and along with the film's opening dedication to the world's firefighters, suggests that this is more than just a cash-in sequel to a cash-in spinoff.

Yet Despite the absolutely gorgeous animation, this isn't Disney bringing their A-game (which would seem self-evident since the feature was produced by DisneyToon Studios, the straight-to-video arm of their animation house), but then it's not the quality of the visuals which hold the film back. The voice-casting has an air of B-list about it (or at least, not the A-list we're accustomed to for this sort of thing), and while the actors do a marvellous job, it's one string less in the bow of the marketing department. Combine this with the shortened run-time*2 and you get the feeling that this is filler, in lieu of something big for the Summer holidays. There's no real harm in this of course, but Fire and Rescue had the potential to be so much more than an amusing distraction for the little ones.

While it may not be a classic in the making, Planes 2: Fire and Rescue is pleasantly surprising and could well hold its own in the Summer marketplace if it can attract an audience*3. Visually stunning in its aerial sequences, it's worth a watch if you're in the mood for a warm, if undemanding, family movie.


And I'm not just being nice because there's a character called Blackout in it ;)



Is the trailer representative of the film?
It's not dissimilar to the final product, no.


Did I laugh, cry, gasp and sigh when I was supposed to?
For the most part.


Does it achieve what it sets out to do?
I reckon it kinda does.


Pay at the cinema, Rent on DVD or just wait for it to be on the telly?
(don't tell Disney this, but you won't lose too much by watching it at home; it's still a straight-to-video spinoff at heart).


Will I think less of you if we disagree about how good/bad this film is?
Nope.


Will I watch it again?
Probably only the the company of my nephew/niece.


Is there a Wilhelm Scream?
There isn't. Gutted. Although there is that eagle/hawk sound-effect that you hear in everything.


And if I HAD to put a number on it…


And my question for YOU is…
And was I the only one who thought of Mustafar thoughout the movie's incendiary finale?



*1 I know I mentioned it with a flippant tone, but he really does develop have a heart condition, and while it's handled very euphemistically, there is a sense of consequence about the whole thing.
*2 Monsters University clocked in at 110 minutes, and Wreck-It Ralph at 92, but more importantly both of these films had a larger scope.
*3 The screening I attended had an audience of no more than 20 people, which given it was daytime during the school holidays (and on the film's opening day) is worryingly low. Hence the need for stronger marketing; ie 'celeb' voice actors.

DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.
• Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.
• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.

Friday, 16 August 2013

Review: Planes

World of Blackout Film Review

Planes Poster

Planes
Cert: U / 92 mins / Dir. Klay Hall



Sir Ian Disney-Pixar's newest offering is a strangely muted affair. You'd think that with one of their premium-brands like Cars, the marketing around this spin-off would be bigger. Then you watch the movie and realise why it isn't. Planes by no means 'bad', but it's missing that spark which makes parents feel a little better about shelling out £50 to take the family to the cinema in the summer holidays. There are moments in the film which belong up there with the greatest and the best of the studio's output, but they're few and far between, and padded out with… well, padding, frankly. It's sweet, it's amusing, and it's not enough to justify a full-price cinema ticket.

The majority of the blame has to lie with the mechanical nature of the story. It's told efficiently enough, but there's no real flair and never any doubt as to the outcome*1. Usually with this sort of thing the older members of the audience can snigger at jokes going over the kids' heads and revel in Easter Eggs and background detail - but that's not the case this time round. What you see is what you get. The animation is beautifully rendered, and at its best during the flight-race sequences, but pixel-geeks will have to enjoy the stylised world of Cars, because that photo-realistic feel used for Monsters University isn't present. Again, not badly done, quite the opposite, but everything has a distinctly cartoony feel.

Planes feels like it's bigger than a straight-to-video tie-in, but it never quite becomes its own film. It doesn't have the laughs of Monsters University, nor the heart of Wreck-It Ralph, and as part of a franchise which is already in small-screen territory, it doesn't have anything of its own to compensate.

I'd like to say Planes is purely for the youngsters, but the almost sold-out screening I attended was constantly punctuated with the fidgeting, talking and crying of that same crowd. And when a Disney-Pixar movie isn't keeping the five-year-olds entertained, it needs to take a long hard look in the mirror.



Is the trailer representative of the film?
Pretty much.


Did I laugh, cry, gasp and sigh when I was supposed to?
Largely, but even that didn't feel like enough.


Does it achieve what it sets out to do?
For my money, no.


Pay at the cinema, Rent on DVD or just wait for it to be on the telly?
It'll be on DVD for a fiver in under six months. It can wait.


Will I think less of you if we disagree about how good/bad this film is?
More than likely.


Will I watch it again?
I've no doubt I'll be watching it in the company of my nephew at some point.


Is there a Wilhelm Scream?
There isn't.


And because you won't be happy until I've given it a score...


And my question for YOU is…
During the last leg of the race, was I the only one expecting to hear gunshots and the commentator say "Looks like some Tusken Raiders are camped out on the ledge, there!"?



*1 I know there's never any doubt as to the outcome with this sort of thing, but when one of the characters in the trailer says the words "it's a compelling underdog story", you know you're in Clockwork Alley.

DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.
• Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.
• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.