Showing posts with label Simon Farnaby. Show all posts
Showing posts with label Simon Farnaby. Show all posts

Wednesday, 15 November 2017

Review: Paddington 2





Paddington 2
Cert: PG / 103 mins / Dir. Paul King / Trailer



Everyone's favourite impeccably mannered Peruvian is back, in a follow-up adventure to his 2014 debut, this time on a quest to by beloved Aunt Lucy a vintage pop-up book of London for her birthday. But when a washed-up actor steals the antique, framing Paddington as the culprit, the bear finds himself in prison and has to clear his name.

Ben Wishaw's voice-work for the title role is seamless and utterly delightful once again, but director Paul King conjures standout performances from Hugh Grant as unstable narcissistic thespian Phoenix Buchanan, and Brendan Gleeson as impatient incarcerated chef Knuckles McGinty. Grant is in full comedic flow, happy to embrace the role and poke gentle fun at his own career (indeed, profession), whereas Gleeson succeeds by playing his part completely straight, as if he were acting opposite a human rather than a CGI bear. To a slightly lesser degree, the entire cast*1 do this of course. Indeed, like last time, the genius-stroke of the film is that everyone treats Paddington as a three-dimensional character (whether they're 'on his side' or not), rather than being freaked out by an actual talking bear*2. It's this sincerity which is passed down to the audience, and the central character becomes inherently believable.

Paddington 2 is a fantastic, fun adventure; but it's predecessor was more than that. The sequel's story itself is a little more pedestrian and doesn't carry the same social or emotional weight as the first movie (Peter Capaldi's reprise in particular feels like a tacked-on callback, and some of the first-act incidental scripting is nothing short of cringeworthy for a film that's so naturalistic everywhere else). While there are moments of brilliance in the film, these come more from setpieces and comic timing than The Message. But the heart of the film is still a young person who manages to find the good in almost everyone, a valuable example for audiences of all ages.

Paddington is the bear we need, even if he's the one we probably don't deserve...


So, watch this if you enjoyed?
Paddington.


Should you watch this in a cinema, though?
For an afternoon or evening out with the family, absolutely.


Does the film achieve what it sets out to do?
I think so, although its target is a lot broader this time around.


Is this the best work of the cast or director?
No, but that's not to put Paddington 2 down.


Will I think less of you if we disagree about how good/bad this film is?
Nope.


Yes, but is there a Wilhelm Scream in it?
Nope.


Yes, but what's the Star Wars connection?
Level 1: Blue Five pilot Farns Monsbee is in this*3, as is that young lady we met ever so briefly on Naboo.


And if I HAD to put a number on it…


*1 A roster which is, it really must be noted, absolute textbook Nina Gold casting, with the notable omission of one Bill Nighy. So I'm just going to assume that curmudgeonly Bill absolutely hates Paddington Bear until he explicitly states otherwise. I think that's fair..? [ BACK ]

*2 And it's a credit to the finished product that I was sucked in to the point where I started picking apart the logic in the climactic train-chase. At one point, two separate steam trains are running on parallel tracks out of Paddington Station towards Bristol (leaving from different platforms), then seconds later they're on the same line (the only line, so lord knows where this stretch of track is meant to be). Who's controlling the track-points? What about all the red-signals they're clearly barging through? Skipping over the viaduct which doesn't exist on that line (that section was filmed in Yorkshire) and the fact that a high-speed chase would have to go through Reading station full of commuters at around 7am, young Paddington ends up trapped in a separated carriage underwater. We see the water level rising and the bear keeping afloat as he rises toward the roof, then the camera cuts to Sally Hawkins' Mary, who's swimming down to rescue him. Only as she approaches the padlocked carriage door with the 10" gap and a bear on the other side, the water has suddenly filled the box completely (as it would with that gap) without us seeing the air escaping before the carriage had even hit the river-bed. Will no-one think of the physics? Will no-one think of the signal controllers having the worst fucking morning of their lives as lights and klaxons go off all around them? It was then I remembered that I wasn't watching a documentary. So well done, Paddington 2. [ BACK ]

*3 And much like in the first Paddington movie (at the time, at least), isn't credited on IMDB for the appearance. Although he does at least get his writing-entry. [ BACK ]


DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.
• Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.
• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.

Tuesday, 16 May 2017

Review: Mindhorn





Mindhorn
Cert: 15 / 89 mins / Dir. Sean Foley / Trailer



It's a rare film which promises exactly what you'd expect and then delivers on it perfectly. Even moreso when it comes to the often uneven genre of comedy. Mindhorn is a rare film. Washed up TV actor, Richard Thorncroft, is called back to his old stomping ground on the Isle Of Man to revisit his most famous character, as a superfan/serial-killer threatens to strike again unless he can speak to the fictional 1980s super-detective… Mindhorn.

I laughed like a drain throughout this film, and the rest of the audience weren't far behind me. The film's title-sequence featuring Mindhorn's TV-opening credits and interview snippets is glorious in itself, and the amount of world-building that goes on is of Garth Marenghi levels. In fact the only real grumble I have about the film is that we don't really get much more in the way of the recreated TV show itself once the idea is established.

One of the (even) weirder aspects of the film is the sense of agoraphobia generated by seeing the expansive scenery of the Isle of Man which, bar a couple of scenes, is populated by almost no extras. The island ends up feeling like an abandoned theme-park, increasing the unease in an already borderline surreal story.

Julian Barratt is front and centre of the show (like Richard Thorncroft would have it any other way), but is supported more than ably by Andrea Riseborough, Essie Davis, Richard McCabe, Steve Coogan, Russell Tovey and Simon Farnaby*1, as well as a smattering of cameo performances from the more dramatic end of the spectrum. Although for all Barratt's many comedic collaborators over the years, the Fielding brothers are notable by their absence.

In all fairness, this feels like one of those sitcom spin-off movies that gets released in August. Unapologetically televisual in both scope and execution (other than that gorgeous 2.35:1 aspect-ratio), Mindhorn celebrates its fictional roots rather than trying to adapt itself beyond them. Any issues which arise from what is essentially TV-writing on a big screen (it's only 89 minutes and it still begins to sag a little) are overcome by the film's self-awareness and brazen silliness. Plus, as it doesn't have any actual TV show to be compared to, the film doesn't have that particular hurdle to clear in the first place.

I love that four years ago, Andrea Riseborough was partnering a sci-fi actioner with Tom Cruise, and here she is playing the straight man in a kitsch farce set on the Isle of Man. Fantastic stuff.



So, watch this if you enjoyed?
Garth Marenghi's Darkplace, The Mighty Boosh, Alan Partridge: Alpha Papa.

It also puts me in mind of Free Fire, even though they're like completely different books, but maybe on the same shelf?
.


Should you watch this in a cinema, though?
If you can, definitely.
Although Mindhorn is on that Netflix (US) already, so off you go
...


Does the film achieve what it sets out to do?
It does.


Is this the best work of the cast or director?
Best? Probably not. Although it's still utterly fantastic.


Will I think less of you if we disagree about how good/bad this film is?
I shall ask you to explain yourself.


Yes, but is there a Wilhelm Scream in it?
Not that I heard.


Yes, but what's the Star Wars connection?
Level 1: This film's got Resistance medic Harter Kalonia and Blue Squadron pilot Farns Monsbee in it.


And if I HAD to put a number on it…


*1 And as a stand-in for Mindhorn/Thorncroft, which I'm taking as a clear reference to this episode of The Mighty Boosh, not least since Barratt and Farnaby wrote Mindhorn. [ BACK ]

DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.
• Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.
• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.