Showing posts with label The Clone Wars. Show all posts
Showing posts with label The Clone Wars. Show all posts

Monday, 12 September 2016

#The123sOfTheGFFA: 2.5 is for The Apprentice



The cashier in WH Smith paused for a moment handling my purchase. Only for a split-second, but long enough. "I'm looking forward to it, but I'm not sure about Anakin having a padawan…" he said. "I know what you mean," I replied as he handed me my change, "but I've got a lot of faith in them. I'm sure they'll handle it well."

It's not altogether unusual for a checkout operator and customer to talk briefly about the goods being bought, but when it's a man in his twenties talking to a man in his thirties, and those goods are a Clone Wars sticker album and twenty packs of stickers, there's a nice, geeky glow to the whole thing. As the conversation would suggest, this was before the release of the animated movie, and by luck or judgement it appeared that the pair of us were going spoiler-free (although the smaller comparative crew-size for an animated feature means fewer staff, fewer leaks and fewer spoilers surfacing online, anyway).

What made me ponder was this caveat my fellow geek raised; The guy was 1) a Star Wars fan, and 2) more importantly, a Prequel-era fan. There'd already been a rift in 1999 where a sizeable proportion of old-schoolers felt they couldn't embrace the new movies. Could the same thing be happening again in 2008? Was there about to be a sub-section of 'PT purists', full of righteous indignation that part of their collective past was being messed with? Could SW fandom withstand another fracture, so soon after the OT/PT one?

The animated Clone Wars movie/TV-series was to be set in an era that had been pretty extensively mined for content already. The original idea had been that Attack of the Clones would show the opening battle of the Clone Wars in 2002, and Revenge of the Sith would show the closing one in 2005. Between those points there would be a cross-marketed schedule of interlinked novels, comics, video games and two hours worth of 2D animated shorts, telling the stories of the main characters as well as introducing new ones, and tracking the progress of the war. Tales from a three-year war, told over three years, so that in 2005 we were revisiting the characters in 'real time', so to speak. And that's what we got, and everything more or less worked with itself. More or less.

There'd been rumblings of a computer animated Clone Wars show since RotS opened in 2005, so it didn't come completely out of the blue, but existing events in the continuity would dictate that one of three things had to happen: 1) the stories previously told in various media would have to be 'compacted' to either end of the war to make room for the new ones to unfold, 2) the duration of the war would have to be expanded to accommodate the new stories, or 3) the 'expanded-universe' content covering the war would have to be scrapped. Since number 2 would require the entire BBY timeline to be rejigged (even if only by a couple of years), and number 3 would be a metaphorical slap in the face to the creators of the content and to the fans who paid money to consume it*1, it's understandable that the powers that be chose option 1. 'The Clone Wars' was to be set, mostly, after the 2003-05 content, with those stories pushed back into the first year of the war.
There were exceptions of course, with some parts leading into Episode III by necessity, and some aspects being overwritten altogether (Asajj Ventress's character trajectory being a case in point).

And then there was the problem of The Padawan. Just how were the storytellers going to implement a student taken on by the central character of the Prequel-Era; given that Anakin's learner is neither seen nor mentioned in Revenge of the Sith, nor in any of the previously published media taking place after the film? Well as it turned out, they just went for it, full-tilt. Ahsoka Tano was introduced in the animated movie, and for the next five seasons of the TV show she interacted with pretty much all of the central characters, WAS a central character, and featured in several pivotal points of the war. Her story arc came to a close in season five (at the time of writing; I won't spoil it - not in this post at least) in a move which explained her absence from Episode III (if not the fact that no-one even talks about her). The way stories are told around the timeline, I'm sure we haven't heard the last of her, but time will tell*2.

So did fandom split over Ahsoka? Well, it'd be untrue to say there wasn't/isn't a vocal section of the fanbase who aren't in completely love with the Togrutan padawan, but their ire seems to be centered more around the characterisation itself than any continuity issues. She started as a well-meaning, if slightly bratty, teenager which seemed out of kilter with established SW character tropes. As the show ran to over 100 episodes, Ahsoka got more development time than many of the movie-only characters; she matured quickly while still remaining under Anakin Skywalker's tutelage, and if you're going to develop a character, you need to start from somewhere.

Over the years since 2008's movie, regular TV/DVD-release scheduling as well as corresponding novels and comics have made The Clone Wars as much a part of the continuity as the six live-action films, and as the lines blur between the large and small screens, "TV" no longer has to mean "expanded universe". In addition to this, Ahsoka's alter-ego, actress Ashley Eckstein, has become a fantastic ambassador for Star Wars (as have the rest of The Clone Wars' central cast), connecting with younger female fans in a way that Carrie Fisher and Natalie Portman were never able to at the time.

There is now a generation of fandom for whom The Clone Wars is 'their Star Wars'. This is how a franchise stays fresh in the gaps between movies.

Evolution is the way forward; embrace it or be left behind…





It wasn't my local WH Smith, by the way, so I never got to check back with the guy and ask him how he got on with Anakin's padawan. I hope he warmed to her, at least.


*1 This entry was a post I wrote several years ago but never got round to publishing. Since then, the sale of Lucasfilm to Disney precipitated the recategorisation of all existing 'Expanded Universe' works into a section to be known as 'Legends'. So not quite the slap in the face I intimated above, but definitely a case of "yeah, but that book doesn't count" when writing character arcs. The oddest thing about it though is that the wipe applied to all Expanded Universe works, not just things written for the post-Jedi era (this, after all, is why the Legends timeline was created - so that The Force Awakens wouldn't have to make allowances for thirty years of novels, comics and games). And over the course of the new Clone Wars series, there were several associated novels and many comics released which naturally fell under the blanket of Expanded Universe. They slot in perfectly with the events we see on-screen; but under the new rules, the TV episodes are 'canon' but the comics aren't. Which would be fine if Lucasfilm planned to write over that period with new content, but they really wouldn't be able to do that without removing the TV show. And under the self-imposed rules of the Lucasfilm Story Group, the TV show is canon. Ah, what a tangled web we weave…

*2 Again, see the real-world chronology reference for footnote #1. Ahsoka has of course re-surfaced in Star Wars Rebels, which will probably be the subject of its own post at some point. That said, it's taken me this long just to get round to writing (well, posting that writing) about The Clone Wars


DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.
• Unless otherwise stated, photos and videos appearing in this blog post are for informational and reference purposes only, and no ownership of copyright is claimed or implied by World Of Blackout. The intellectual and physical copyright of such material belongs to its creators and owners.
• Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.
• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.

Wednesday, 16 December 2015

#The123sOfTheGFFA: 999 is for Millennial Fulcrum



This is my 999th World Of Blackout blog post (albeit with a little judicial editing over the years, admittedly). The 1,000th post will be my (first) review of Star Wars: The Force Awakens, and both of these are milestones which seemed almost unthinkable a few years ago. The post-count isn't necessarily of significance in itself, but I didn't want that particular entry to be a moaning review of whatever sub-standard comedy the studios have quietly pushed out in the gap before The Star Wars Film lands. So as I'm obsessed with both Star Wars and cinema in general (as you, dear reader, are well aware), this seems like as good a point as any to reflect on how we got here ~ on the eve of The Force Awakens.

For a long time I didn’t think I’d ever get to see a new Star Wars film in what had become my local picture house. Although, how many of us did? Prior to 2004, my nearest options for the cinema were either Oxford or Reading. Both feasible for occasional visits, but more than just a casual stroll away.

So, around that time, I was getting feverishly excited about the upcoming (and at that time, final) Star Wars movie, Revenge of the Sith. But the new cinema was in its planning stages as part of a larger development, and even I knew that it wasn't going to be ready for May the following year. This wouldn't affect me watching Episode III in a cinema, of course, but I was quietly resigned to the fact that my local wouldn't be showing any SW movies, notwithstanding potential re-releases or anniversary showings. May 2005 came and went, the Sith got their revenge, our new cinema opened its doors in 2006, the Cineworld Unlimited card was subscribed to shortly thereafter, and I haven't looked back since (as you, dear reader, are well aware). Having a cinema within walking distance of my house was still going to be a good thing, indeed.

Then in 2007, something awesome happened. A new Star Wars film was announced. The Clone Wars, the upcoming animated TV series taking place between episodes II and III, was due to be launched with an accompanying springboard-movie. It wasn't one of the 'Saga' episodes, and it would be markedly different from its live-action counterparts, but it was still technically a new Star Wars film. Now, me personally? I loved Clone Wars because of its differences, not in spite of them, and ultimately it's an excuse for me to spend more time in The Galaxy. The Clone Wars movie flopped spectacularly, of course. Partially because it was three episodes of the TV show edited together as a single unit, and didn't have the pacing or scope of a film as a result, and partially because it was being distributed by Warner Bros, who appeared to have no idea how to market a Star Wars product. The Clone Wars lived out the rest of its lifespan (121 episodes) on the small screen*1. But hey, I'd seen a Star Wars film in my cinema.

Then in 2011, something intriguing happened. The 3D re-release of The Phantom Menace was announced (and received with the level of general enthusiasm I've come to expect since 1999). But as you've already gathered, I love The Phantom Menace. The release wasn’t grand enough to warrant a midnight-screening at my local (I caught that elsewhere), but they showed the film in their regular programme. The 3D project flopped spectacularly, of course. Despite the logical starting point to the remastered saga being Episode I, audiences weren't generally convinced and the series was quietly side-lined (although the 3D-completed Eps II and III have since been screened at conventions ). So despite having already watched a couple of SW movies in my local, it looked like I wasn't destined to see Luke Skywalker save the galaxy within a mile of my house, after all.

Then in 2012, something magical happened. Star Wars Episode VII was announced. Disney's acquisition of Lucasfilm, including its many properties and subsidiaries, resulted in a rekindling of the Star Wars saga which was possibly the most seismic event to the timeline since the Prequel Trilogy; possibly moreso given that Uncle George had handed the lightsaber permanently over to Kathleen Kennedy, so wouldn't be the writer/director/overseer influence he'd been previously.

But this time... this time there'd be a new Star Wars film; an actual new, actual Star Wars, actual film; a brand new Star Wars film featuring characters we love but where we don't know what's going to happen next; a new Star Wars film which could not possibly be passed over for midnight-screening status in a year where Fast & Furious and The Hunger Games sat on that platform. And no, Cineworld didn't disappoint. Of course they didn't, they're 'my' cinema.

Which brings us to where we are now. In a few hours time, I'll have watched a new Star Wars movie for the first time, in my local cinema. In a few hours time, I'll have watched Star Wars: The Force Awakens, and the Galaxy Far, Far Away will have expanded again. In a few hours time, I'll see Episodes I to VI in a different light, whether the retcons and ramifications are large, small or barely even hinted at…

In a few hours time, it all changes.

And moving beyond Episode VII, who knows what lies ahead? Other than lots more Star Wars, obviously. Which I'm absolutely fine with. Obviously. The as yet untitled episodes VIII and IX are on the way, as is Rogue One and the Han Solo and Boba Fett standalone flicks. Star Wars Rebels continues apace on the small screen, and you know that this is just the start.

Even now, even before I've read the new BBFC card, even before I've seen the famous yellow logo receding into the starfield, The Force Awakens has the feeling of going home. Going home for the first time…



*1 With the exception of a few special screenings of stitched-together 'event' episodes, but these were one-offs at (or organised by) Lucasfilm, not general-release movies.

DISCLAIMERS:
• ^^^ That's dry, British humour, and most likely sarcasm or facetiousness.
• Unless otherwise stated, photos and videos appearing in this blog post are for informational and reference purposes only, and no ownership of copyright is claimed or implied by World Of Blackout. The intellectual and physical copyright of such material belongs to its creators and owners.
• Yen's blog contains harsh language and even harsher notions of propriety. Reader discretion is advised.
• This is a personal blog. The views and opinions expressed here represent my own thoughts (at the time of writing) and not those of the people, institutions or organisations that I may or may not be related with unless stated explicitly.